ANNOUNCEMENT!

SHOP LAUNCH

31 OCTOBER

FINE ART PRINTS

SHOP LAUNCH • 31 OCTOBER • FINE ART PRINTS •

MEMORY

Neural Pathways

Poster for 'Memory,' a group art exhibition featuring Shannon Marie's collection 'Neural Pathways.' The poster includes an illustration of a dark, swirling  with pink and purple accents on the left, and a park scene with silhouetted children and adults on the right. It provides details about the opening night event on September 27 from 5:30 to 7:30 PM at 222 McLauchlan Street, Fortitude Valley, with participating artists listed.

Memory is a group show featuring Cecilia King, MZ LEW, Jaqueline Josen, Archana Srivastava and myself, Shannon Marie.

The Gallery is located on 2/22 McLauchlan Street, Fortitude Valley, Brisbane.

Memory will be open from Thursday the 25th of September until the 6th of October (closed the 1st of October).

Opening night is a wonderful chance to meet some of the artists in person and will be from 5:30 until 7:30pm on the 27th of September.

Come on by for an amazing group show, in a beautiful gallery right in the center of California Lane.

2/22 McLauchlan Street, Fortitude Valley, Brisbane.

BRISBANE ILLUSTRATION FAIR 2025

Colorful cartoon poster for Brisbane Illustration Fair with a green TV set, text about the event, and a background with abstract shapes.

This year I am a vendor at the Brisbane Illustration Fair (BIF) 2025!

I will be there for both the 27th and 28th, from 10am to 4pm selling everything I’ve made this year!

There will be so many local artists this year, so save the date to find amazing original art!

Bright, colorful poster for the Brisbane Illustration Fair 2025, happening on September 27-28 at John Reid Pavilion in Brisbane. Features creative and playful design elements, with event details, entry fee, and sponsor information.
A stylized, digitally edited portrait of a young woman with long hair, wearing necklaces and a dark top.
About Me
Artistic illustrations of a pink and purple tooth with black outlines, yellow details, and star patterns, printed on white paper with a decorative background, placed on a wooden surface.
Shop
Illustration of black shoes with pink and white daisy flowers on the laces, on a multicolored tiled floor.
Journal

Commissions

If you have something special in mind, why not order a commission?

I specialize in portraiture, abstract and surreal illustrations, and all things paint. But that does not mean it is all i can facilitate.

I have experience with cafe art, black board art, and marketing poster art, and I am more than interested in creative projects that take me into new territory.

So if you like my work and would like something specific from me, lets connect!

A witch in a black dress with white apron, wearing a purple witch hat with flowers and star earrings, is reading a spellbook beside a magical cauldron with glowing orange light. The room is filled with potion bottles, books, and magical implements, with a window showing a night sky, a black cat sitting on the windowsill, and shelves with glowing crystals and mystical objects.
  • If you want something specific, describing what you want is very important.

    If the piece includes figures, I need to know who, how many, if you prefer them to be full body visibility or more portrait style, and what they’re doing in the image.

    If you want someone specific painted in your commission, I will need photographs for reference. The more photographs with the correct anatomy the better.

    Its also important to think about colours, what’s happening in the imagery, and the purpose of the piece (if there is one e.g. for commercial use).

    It can be helpful to write out everything you want for the painting, and if anything is missing we can chat about it :)

  • Once we talk about your special order, I will sketch something rough to show generally what I plan to do.

    If you agree with the process and predicted final image, I will proceed to the creation stage.

  • I require 50% of the predicted cost upfront, this is to cover my costs of creation and time spent and is non-refundable.

    Sometimes ideas change and you might suddenly realise that you want something extra, this is fine, so long as you approach me about it in the sketch stage.

    It may also increase the price depending on difficulty and change to the design.

    However, once you are satisfied with the sketch and we agree to move to the final design, I cannot change the course of the outcome.

    If paint hits canvas, the design is locked in and cannot be changed.

    If you are not satisfied with the sketch, this is your opportunity to back out.

    After the artwork is complete you will be sent an image of the completed piece, with an option for digital or physical ownership.

    Once you have decided, final costs will be totaled and you will receive a requested to pay the final amount owing.

    Once payment is received, the high quality digital file or original piece will be delivered to you.

  • If you’d love a commission from me, just shoot me an email and we can start!

    sheispaint@gmail.com

Close-up of red yarn and cotton balls with the number 26 in large white font overlaid.
Light blue slime spelling out the word "Riteway" on a background of tangled red yarn.

An Exhibition presented by Whirlpool Arts

Ritual

26th June 2025

400 Vulture Street, Kangaroo Point

5:30pm till 9:00pm

Event flyer showing red and white abstract artwork in the background with large semi-transparent pink and blue text overlay. The text details a ritual art and music exhibition on June 26 at 5:30 pm on Vulture Street, with the event name partially visible.

@whirlpoolarts


The 2024 Incognito Art Show

The Incognito Art Show is an Australian based exhibition that incorporates art from all over the world, from artists of every skill level.

The core concept of this exhibition, is that all artwork submitted is presented “incognito” with all artists details hidden until purchased.

Each artist who applies submits 3 piece, which are uploaded to Incognito Art’s website and then sold at their in person exhibition, or their online sale.

Painting of a nude woman sitting cross-legged on a patterned blanket with women around her, one child sitting by her and two women sitting nearby, in an interior setting with curtains and a plant in the background.
A painting of a woman with dark skin and brown hair, holding a large anatomically correct human heart above her head. The heart is decorated with white flowers and is dripping with blood. The background features radiant yellow and orange rays, and the word "LOVE" is written above the heart.
A painting of three women with different hair colors and styles, standing closely together in an emotionally intense scene, with a background featuring abstract elements and a figure with a distressed expression.

There is no theme or concept to guide you if you apply to this exhibition, you are free to create what you want.

Due to the relentless violence against women Australians have observed this year, and the animosity towards women globally, especially in light of a post Roe America, I felt compelled to create three pieces that went somewhere towards representing my feelings towards my biological gender and the experiences of my fellow women, all inclusive.

The above pieces in order are titled; Love, Body, Rage.

A woman with a serious expression holds a large, decorated heart above her head. The heart is adorned with white flowers and green leaves. The background is filled with radiant golden light and geometric shapes, and the woman is surrounded by white flowers and green foliage.

Love

A watercolour and gouache painting depicting a black woman holding a gigantic bleeding heart high above her head.

This piece is about the weight of love, the strength women show when they carry it, and the historical nature of women’s love persevering through time.

Women become vulnerable when they love, opening your heart to a man in particular is enough to get you killed.

I rarely see any woman as dedicated as those who love their families, their children, their spouses. Love can also make us strong. Love can lead us to survival.

It is a humans ability to show love that advanced our society, treating a wound is one of the first pinnacle steps we took as a species towards ensuring our survival.

Love is the connection between mother and child, that same connection that keeps her young protected.

And love is also what can trap us.

It is a blessing and a curse to bare a woman’s heart.


An oil painting depicting an intimate scene with women and one child in a cozy, colorful interior. One embracing another woman. The child observing the scene carefully while surrounded by vibrant textiles and decorative objects.

Body

A watercolour and gouache painting of a pregnant woman laying between two women while a child observes. One woman is casting a quilt over the pregnant woman.

Without women, we would have no life.

Despite our early human history being analyzed through the lens of a male gaze, “the history of man”, women are the beginning, and the life line, of all human civilization.

It is through our bodies that the population grows, and through the companionship and support of other women that it thrives.

Our entire system was built for this purpose, and now we are at a stage where we can choose to embody it, or peacefully acknowledge it and move forward in a different way.

The nature of western politics is threatening this sacred choice, threatening women and their health care.

Birth and pregnancy is a blessing, but only if it is a chosen, consensual blessing.

This piece is about women, their bodies, and the sacredness of fertility.


A painting depicting three women in the foreground, crying with tears streaming down their faces, and a woman in the background with a distressed expression.

Rage

A watercolour and gouache painting divided into multiple sections. Three women in the foreground, Medusa becoming engulfed in grabbing hands, a dark skinned woman crying above a scene in the background of women burning at the stake. A chopped pomegranate in the top left corner, an abstract scene of Emily Davison stepping in front of racing horses sits in the top right corner, with blood dripping to form a scene of bombs dropping on a city perched on top of an apple. Text to the right reads “I have. She has. All women have. Its not all men, but its all women.”

Rage is a complex emotion, its not just anger.

Its helplessness, its grief, its furious anger in the face of such bold injustice that others perpetuate.

Women are the mistreated gender, the gender that has been wronged.

We are demonized for wanting to live.

Religion paints us as weak, selfish, disrespectful.

It teaches that woman was made to serve man, that we are just a mere fragment of the first man born.

But we are the life that fuels our species, we are the life givers.

No matter what historical event you observe, the chances are women are the most negatively impacted. Regardless of colour or faith, women are the first to be attacked, judged, neglected, destroyed.

From the mythic stories of gods among men, telling of a woman who transformed to protect herself so that she may never feel a man’s violence again. Taught mostly as a fable of a monster who should be slayed, without acknowledging the real monster of the story.

The burning of witches, something that is still done in some places today.

And finally, war.

A game played by men, men who care not for the careless loss of life, life birthed by the women who are now being murdered alongside their children.

Meanwhile men continue to argue on the subject of women’s rights. Whether we deserve them. Whether we have too many. Whether we have any right to complain.

Rage is about the absurdity of crime against women.

Rage is about the despicable carelessness towards human life.

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